Sprachvariation im 18. Jahrhundert. Die Briefe der Familie Mozart Teil II
Identifieur interne : 000065 ( PascalFrancis/Corpus ); précédent : 000064; suivant : 000066Sprachvariation im 18. Jahrhundert. Die Briefe der Familie Mozart Teil II
Auteurs : Ingo ReiffensteinSource :
- ZGL. Zeitschrift für germanistische Linguistik [ 0301-3294 ] ; 2009.
Descripteurs français
- Pascal (Inist)
English descriptors
Abstract
In the second half of the eighteenth century, a far-reaching change took place in the language of Southern Germany and Austria. This change from the traditional baroque Upper German written language [oberdeutsche Schreibsprache] to modern High German oc- curred not only in the language of printing, but also in private letters. One result of this transition is a broad variety of linguistic forms. The extensive correspondence between members of the Mozart family (father, mother, daughter, son) is an extremely useful sub- ject for the investigation of this language variation. After a series of introductory sections, the usage of written language by the different members of the family will be analyzed in part one of this paper. The range of variety reaches from Leopold Mozart's modern, educated German to the traditional, partly collo- quial language of Mozart's mother. A separate chapter deals with W. A. Mozart's creative use of language (and varieties), his fancy for artificial jokes and word play [Sprachspiele]. Part two deals with the question of what we can learn from the written language of the letters about how the Mozarts spoke with each other and with other members of their society.
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Format Inist (serveur)
| NO : | FRANCIS 11-0414201 INIST |
|---|---|
| ET : | (Language variation in the 18th century. The letters of the Mozart family Part II) |
| GT : | Sprachvariation im 18. Jahrhundert. Die Briefe der Familie Mozart Teil II |
| AU : | REIFFENSTEIN (Ingo) |
| DT : | Publication en série; Niveau analytique |
| SO : | ZGL. Zeitschrift für germanistische Linguistik; ISSN 0301-3294; Allemagne; Da. 2009; Vol. 37; No. 2; Pp. 203-220; Abs. anglais; Bibl. 2 p.3/4 |
| LA : | Allemand |
| EA : | In the second half of the eighteenth century, a far-reaching change took place in the language of Southern Germany and Austria. This change from the traditional baroque Upper German written language [oberdeutsche Schreibsprache] to modern High German oc- curred not only in the language of printing, but also in private letters. One result of this transition is a broad variety of linguistic forms. The extensive correspondence between members of the Mozart family (father, mother, daughter, son) is an extremely useful sub- ject for the investigation of this language variation. After a series of introductory sections, the usage of written language by the different members of the family will be analyzed in part one of this paper. The range of variety reaches from Leopold Mozart's modern, educated German to the traditional, partly collo- quial language of Mozart's mother. A separate chapter deals with W. A. Mozart's creative use of language (and varieties), his fancy for artificial jokes and word play [Sprachspiele]. Part two deals with the question of what we can learn from the written language of the letters about how the Mozarts spoke with each other and with other members of their society. |
| CC : | 52430; 524 |
| FD : | Variation linguistique; Sociolinguistique; Siècle 18; Langue écrite; Allemand; Mozart (W. A.) |
| ED : | Linguistic variation; Sociolinguistics; Century 18; Written language; German |
| LO : | INIST-25057.354000171978400010 |
| ID : | 11-0414201 |
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Francis:11-0414201Le document en format XML
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The extensive correspondence between members of the Mozart family (father, mother, daughter, son) is an extremely useful sub- ject for the investigation of this language variation. After a series of introductory sections, the usage of written language by the different members of the family will be analyzed in part one of this paper. The range of variety reaches from Leopold Mozart's modern, educated German to the traditional, partly collo- quial language of Mozart's mother. A separate chapter deals with W. A. Mozart's creative use of language (and varieties), his fancy for artificial jokes and word play [Sprachspiele]. Part two deals with the question of what we can learn from the written language of the letters about how the Mozarts spoke with each other and with other members of their society.</div></front></TEI><inist><standard h6="B"><pA><fA01 i1="01" i2="1"><s0>0301-3294</s0></fA01><fA03 i2="1"><s0>ZGL, Z. ger. 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The extensive correspondence between members of the Mozart family (father, mother, daughter, son) is an extremely useful sub- ject for the investigation of this language variation. After a series of introductory sections, the usage of written language by the different members of the family will be analyzed in part one of this paper. The range of variety reaches from Leopold Mozart's modern, educated German to the traditional, partly collo- quial language of Mozart's mother. A separate chapter deals with W. A. Mozart's creative use of language (and varieties), his fancy for artificial jokes and word play [Sprachspiele]. Part two deals with the question of what we can learn from the written language of the letters about how the Mozarts spoke with each other and with other members of their society.</EA><CC>52430; 524</CC><FD>Variation linguistique; Sociolinguistique; Siècle 18; Langue écrite; Allemand; Mozart (W. 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